Showing posts with label the highlanders. Show all posts
Showing posts with label the highlanders. Show all posts

Monday, September 16, 2013

THE FLOWERS OF LATE SUMMER


 
The flowers of late summer give color to the sides of the roads. It's a great time to ride around on the back roads. Goldenrod is full and lush. And all the others with names I don't know. Jewelweed is one. The colors of fall are the same as the colors of spring; yellow, purple, white. Yesterday I drove by the old Jimmy Wagoner homeplace on Glade Valley Road. He's been gone quite a number of years. The barn meadow that ran alongside the road was covered up in the yellow and purple flowers of late summer. To my eye, it was more beautiful than a formal flower garden. Weeds. My favorite flowers. Perhaps I identify with weeds for their outsider quality and their perfectly natural right to exist. We don't even have to cultivate them. They grow where God flung em. Or, to put it more empirically, where the seeds fell. These are the flowers of my home. I love them growing on the sides of roads along fence rows. They grow here despite being unwelcome weeds. Other people tend to like the mowed pastoral look and keep the sides of the roads trimmed, but not I. I let the greenery grow and flower in abundance when it's their time. I love the flowers of this time of year like I love the birds. Eye candy. Something about flowers makes us feel good, when we notice. Stepping into the woods, under a canopy of trees, calms my interior being like nothing else. Instantly. 

 
 
In what you might call an argument I had with an old-time preacher years ago, I told him I feel the spirit in the woods better than anyplace. No. The church house is the only place you feel the spirit. No. I find the spirit in the woods too. No. That's the natural world. It's of the devil. Oh. I mentioned that the devil is not a creator. That doesn't matter. He rules the natural world. It's our way as Christians to go against the natural world, an extension of the natural man, born in sin, not good, must be changed away from the natural to the unnatural, God only sees the unnatural. This back and forth between us came to nothing. It started over the word duty. I told him I don't do duty. You better. God commands duty. Uh, not really. I was hearing old Sixteenth Century Protestant absolutism, mind. John Milton. It is Milton's cosmology. I grew up in that absolutist mind. It shaped me way more than I would have liked. It took years of searching and questioning, a little bit at a time, an insight at a time, an understanding at a time, a realization at a time, to transcend that thinking. Quite simply, that was my cosmology. My initial appeal to Bob Dylan's lyrics was his dogmatic mind. I'm so happy I've changed away from that. He has too. Maybe we grew up. 
 
 
 
Have reached a place where I don't want to advise anybody, don't want to tell somebody how to do something better, don't want to say I know more than you do. Finally, I have seen that the talk everywhere is a string of commercials. You needta listen to this. You gotta see this tv show. You gotta see this boutique. You gotta see the highest grossing movie of the week. Norman Mailer's early book of essays he called Advertisements For Myself. Unconscious anecdotal advertisements for ourselves has become the American mode of conversation in this time. We're of an Age where the grandparent generation was placed in front of a tv from birth, and all generations since. Television amounts to commercials every ten minutes. Even  the coercive hype of sports announcers and people keeping up with the cutting edge latest is commercial mind. Selling a product. People without a product have to sell their services or labor.  Being television people we interrupt each other freely, like commercials. We advertise ourselves with big smiles and clean teeth. I've consciously separated myself from that thinking. If I ever talk like a commercial, I'm unaware of it. As for the unnatural world being from God, that would put the Bank at the top of the list of Godlike. I never was able to understand how a man could come to such a way of seeing. Then again, the man, himself, was the very subject of a song Groucho Marx sang in one of his movies, Whatever it is, I'm against it. We had very different visions of God; mine did not influence him and his did not influence me. I have to say, I learned a very great deal from him, mountain culture, old-time mountain religion, as well as much regarding my own humanity.
  
 
 
In times when I'd rather not listen to the news on the car radio, I have a tape of Willard Gayheart's and Bobby Patterson's Galax bluegrass band, the Highlanders, from when they both had younger voices. It's straight-forward music of superb musicianship, good arranging, good singing, good songs worth singing. It's happy music for me. I play it over so many times the words are sticking so I can go about with them playing in my head. It feels like I'm in a flow of some sort. Willie Nelson songs in my head all day. What I do runs smoothly. I don't force anything. The day with Kathryn flowed very smoothly. It had some hitches and speed bumps, but none of them knocked me off the track. They were accepted as what's happening at the moment, not a problem unless I make it a problem. Driving from one place to another I see these roadside effusions of flowers in full bloom, and gaze at the landscape, the houses passing by, the black cattle in green meadows, the trees in full leaf, the occasional deer, feeling gratitude to God for landing my parachute in this particular place to walk my spiritual path. It is my home. It's been my home more than half my life. I was going to write, "the better half," then it came everything that went before was a step along the way to here, now, my Blue Ridge Mountain home, my own personal King Solomon's Mines. Everywhere I look is my home. Home has extended beyond my residence to the Central Blue Ridge and the Southern Appalachians. All the way to Roanoke and back for the Willie show, I was at home. The audience was full of my people.

photos by tj worthington


 *

Saturday, December 17, 2011

THE HIGHLANDERS BLUEGRASS THE FRONT PORCH


     the highlanders



     scott freeman, fiddle; jimmy zeh, banjo


     jimmy zeh, banjo; marvin cockerham, bass; willard gayheart, guitar



     scott freeman, fiddle; jimmy zeh, banjo



       bobby patterson, mandolin; scott freeman, fiddle



The Fiddle and Plow show happening at Willard Gayheart's Front Porch Gallery, Woodlawn, Virginia, featured tonight the Highlanders, a Galax bluegrass band of almost 40 years. Willard plays guitar and sings with the band. When the World's Fair took place in Knoxville, Tennessee, back in the 80s, the Highlanders played there for a week. Buddy Pendleton was their fiddler. Pendleton recorded an album playing fiddle with Larry Richardson & the Blue Ridge Boys, a classic mountain bluegrass album recorded in 1965, http://www.oldbluerecords.com/. Buddy was a youngun then. He had a great career started as a fiddler with Bill Monroe for awhile and then the Greenbriar Boys, a New York City folk revival old-time band. From there he returned home and worked to retirement at the Floyd, Virginia, post office. He's a frail, honest, thin, seemingly weightless man now with gray hair. Oh, but he can play a fiddle. He played at Fiddle and Plow a year or more ago. I spoke with him a few minutes before the show, asking permission to make video of him playing, and wondered what this frail little guy would do with a fiddle. It didn't take long to find out. Once he started playing, I knew this was a master.



Buddy wasn't with them tonight, so Scott Freeman played fiddle in Buddy's absence. I was hoping Buddy would show up, but he didn't. Scott played a beautiful fiddle. Musically, Buddy wasn't missed, but I would like to see him and hear him play fiddle again. His fiddling has an airy quality about it. By airy, I suppose I mean like an apple tree pruned such that birds can fly through it. I put up several videos of Pendleton on YouTube, which I was very happy to do, to make his fiddle playing available to whoever might chance upon it or find it by looking for it, whoever sees it. Buddy Pendleton is too great a fiddler to overlook. I don't mean to imply Scott's fiddle wasn't up to Pendleton's. Scott is so close, it doesn't matter if one is better than the other. I like to hear both of them play a fiddle. I don't know if it communicates a sound to say Scott's fiddle playing has a full bodied sound. He bears down on the strings and makes them work. Visually, I see Scott's manner of fiddling in VanGogh's and Edvard Munch's paintings of women. I can't explain it. It's a subjective feeling. Where Pendleton's fiddle might be of the air, Scott's is of the earth. He uses his bow to dig the notes out of the strings, he takes charge of the strings. Again, I'm not saying one is better than the other. It's different styles of playing a fiddle.



Willard was the lead singer for the band, and such a good singer Willard is. There is quite a number of songs of Willard singing on YouTube. Write his name in the search box and everything with him on it will come up. Willard's singing is good mountain singing. By "good" I mean like Sara Carter was good at mountain singing. Willard is that kind of good at delivering a song. He doesn't dramatize the song with his voice, he delivers the words and lets the words tell the story. He keeps ego out of his singing, out of his guitar playing, out of his performance, in the mountain way. I and several others see Willard as the best kept secret in SW Virginia. Willard doesn't know how good he is. He doesn't promote himself. Scott Freeman married Willard's daughter, Jill. Scott and Willard have been musical parnters ever since; first with Skeeter & the Skidmarks, then Alternate Roots, then Skeeter & the Skidmarks redux. Willard and Scott make a great duo. Willard also plays duo with Bobby Patterson.



Bobby Patterson is a good singer too. He plays mandolin with the Highlanders. He plays guitar and banjo when he and Willard play together. Bobby Patterson is best known, for me anyway, on the album June Apple with Tommy Jarrell on fiddle, Kyle Creed, banjo, Audine Lineberry, bass, and Bobby Patterson rhythm guitar. He was young then, playing with the old fellers, the masters. Audine Lineberry played bass with Whit Sizemore's band, the Shady Mountain Ramblers. She sang Ruby the way it was meant to be sung. I personally hold Bobby Patterson as the most important man in SW Virginia, for what he has done for the music of Grayson County, in particular. He has a small label and a recording studio. He recorded local old-time bands and some bluegrass. He recorded the Shady Mountain Ramblers, Whitetop Mountain Band, Otis Burris, Art Wooten, a mess of others and made collections from the Galax fiddlers convention every year for cd. He started with LPs, then cassettes, then CDs. Bobby is a great musician and a noble man. 



Everyone in the band I could say is a noble man. Noble is a word not used any more, and that's a good thing. Now it is free of connotation, and it's meaning can be what I mean without sentiment mixed in. I mean they are noble in that they, each one, is who he is. Each one has worked hard all his life, has raised a family and made music on weekends. They are, every one, what we call here in the mountains good people. Give them a chance to make music and they're happy. Jimmy Zeh came to Galax from West Virginia. Willard came to Galax from a little township 10 miles outside Hazard, Kentucky. Scott is from MtAiry, lives in Woodlawn, Marvin Cockerham from Meadows of Dan. Bobby Patterson has lived at Galax all his life. Willard lives in Woodlawn. Bobby Patterson's Heritage Shoppe and Heritage Records is right there by Willard's framing shop.



From the moment the band started they played straight ahead mountain bluegrass and they never let up. Scott's fiddle came forward from time to time and raged for us. I think it might have been Katy Hill he cut loose on. I wasn't prepared with the camera when he started up, I missed the beginning, so I used the time to get still shots, wishing I'd got that fiddle on video. Then I always tell myself it is not at all necessary to have it all on video. It is not necessary at all. Enjoy it raw, straight from the fiddle to my ear. It gets to be like a Warhol fixation to want to record everything. I do it to archive this moment in time in the evolution of mountain music. I believe it needs doing. Nobody else is doing it. Then it's mine to do. I get to do things like this because I don't do it for money. I don't care about copyrights. I just want to share this mountain music with anyone around the world who wants to hear it.


*