Showing posts with label the daily creative practice. Show all posts
Showing posts with label the daily creative practice. Show all posts

Tuesday, April 1, 2014

THE PROCESS

selfie of the artist hard at it

This week, Christine in the Daily Creative Practice put up a question of process, how the artist works. My art form in this time is writing daily. Art, for me, is not about money, so it doesn't matter what form I choose. I wanted to write every day, but knew if I started a journal it wouldn't last more than a few days; from there on it would be notes, then nothing. That's how I journal. I was talking with a friend about wanting to write every day, but had not found a way to make myself do it, especially against my will. She suggested a blog. I said, What's a blog? It was something her daughter told her about. She gave me the site, BlogSpot.com., I thought about it a day and night, set up a blog and started. The point of putting it online was to give self a guideline to follow. I was thinking if I make it public, I'll have to keep it up. It started with one to three viewers five years ago. Yesterday, Waterfall Road had 233 views. 102 of them were USA, 26 Russia, 18 Poland, 17 Germany, 14 France, 10 UK, 7 Netherlands, 4 Canada, 2 Pakistan, and a long string of twos and ones. Every day the numbers are different. In one day last year over 500 from Latvia. I have no idea who is reading them, except for comments on facebook, or even if anyone finishes a reading. I don't even know how accurate these numbers are. Russia has been the number two readership for over a year. One time, Russian viewers outnumbered American. American exchange students? English language students? I love it that my readers span the globe. I sometimes laugh from thinking that if I'd spent this writing time putting together a long novel, it would not have near the readers the blog has. And counting readers is not my purpose. My purpose is to write every day something perhaps worth reading. This is the only purpose. It is good geography for me too. I've learned of four countries I'd never heard of. I love writing to international readers, though in the writing the only thing it tells me is to write with clarity. I consider that possibly half the people reading my writings are practicing their second language. This present entry is number 1,511. If I'd set out with this number as a goal, I could not have made it for the weight of so many.

the cubicle
the picture beside laptop is ralph stanley

I need silence for writing. Cannot listen to any kind of music, certainly not Prince, who puts me on my feet and takes my mind over completely. Music has a way of pulling me into it, from Philip Glass to Doc Watson. Instrumental music demands my attention the same as words. The only kind of background music that does not take me over would be New Age. It does take me over in that it repulses me so much I have to turn it off. My friends Lucas and Judy listen to almost every kind of music there is. Like mine, their collection spans almost the entire spectrum. I wondered while their girl Meredith was growing up how she could rebel musically in her mid teens. She found the needle in the haystack, or the plane in the Indian Ocean, Enya. Lucas hated Enya. I thought that was genius of Meredith to find the one thing her dad could not handle, like my parents with Little Richard. They only liked big band music, so I had a world of music to rebel with. Anything, even polka. In short, I cannot listen to music while I write or paint. I have to sit and listen to music like I watch a movie. To listen to YoYo Ma's album, SILK ROAD, I need to be in place, cat on lap, and listen. There is really nothing I like for background music. In the silence now, I hear the battery-operated clock on the wall, toc, toc, toc. I stack rocks in different arrangements on a small pedestal while searching between sentences. Out one window I watch the donkeys graze in the meadow. Out two other windows I see  snowbirds, chickadees, towhees, cardinals, doves, chipmunks and squirrels picking up snacks in and around the birdfeeders. I throw seed on the ground too, to keep the squirrels from dominating the feeders. I don't mind squirrels eating here. I think it a communal feeding station for anybody who wants it, my neighbors. It's the same squirrels every day. Four gray squirrels from the woods across the road, and four red squirrels from the pines around the house. I stare at pictures on the walls between sentences, drink coffee or hot tea, and sometimes smoke cigarettes, maybe a fourth of the time. I already know it's not cool. Judge me uncool, but leave me alone about it. I don't aim to give up smoking, so I smoke every once in awhile instead of all the time. Same with liquor, I don't want to quit, so I drink in moderation.

the environment

I sometimes have a dram to sip on while writing, but mostly not. It costs too much to do it all the time. I saw a quotation attributed to Hemingway, Write drunk, edit sober. I don't write drunk, but the idea appeals to me. I have done it and found it doesn't do anything for the writing to the good or ill. I have no mojo I put myself through, no fetish, no special outfit, no rituals, not even meditation or prayer. Time of day does not matter. My preference is to write in the night between midnight and five. It is in the late-nite hours I dive deepest within. That's where I like best to go. This is journaling for me, so I want to go the deepest I can reach and still have air to return to the surface. These daily entries have become the only part of the day I really care about. It takes four to six hours to write one. It sometimes takes around an hour to assemble the pictures and place them. A lot of time is spent gazing out the windows. I leave mind blank looking out the windows, seldom thinking about what I'm looking at. It makes me smile to see the donkeys and the squirrels. Yesterday I wrote first half in the morning and second half in the evening. Preferring to write them straight through, I have no problem with writing a paragraph at a time. Writer's block has not been a problem, because I don't take the writing seriously. When my head is blank and I can't think of anything, I start here, now, most often the weather. Anything my attention settles on will be good enough to open with. I recall a time a couple years ago my mind was blank and could not find even a first sentence. All it takes is one. I told self, I don't care what it is, next thought in my head is the first sentence. Sarah Palin entered mind. I said, No. Said no again and it hit, I don't have to write the whole thing about her, just the first sentence. And did. Choked down writing her name (one more step in making stupid people famous) and steered away from her quick as if she'd stepped out in front of me on the highway, segued into a new subject and it flowed.

rock stack

As for time of day, sometimes I get up in the morning, feed the stock, pour the coffee and am ready to jump in and swim. It turns out to be evening I write the most, between 8 and 2. Middle of the night messes me up with the donkeys and birds for sleeping til 11 or 12. I have found that I write the best so tired I can't sit up straight, when forehead leans downward onto keyboard, makes a long line of k's and I don't even know it's happening. The sentences arrive with great distances between them in time. I feel like I'm walking through mud up to the knees. Every step is a major effort that takes all I've got, the mental place of the physical place where Himalayan climbers pace themselves, resting between each step, thin air, so tired it would be a blessing to die. They love that physical place and I love the mental place. I close my eyes and my head drifts downward. I search the void for the next sentence and wait. It arrives, I enter it on the keyboard and wait some more for the next sentence. I say to self, just fold up the computer and go to bed. No, not done yet. The times this has happened, I dive into the bed immediately after the last period. No proof-reading. Don't even turn the computer off. I wake in the morning, or afternoon, not even wanting to look at it. I wait a long time to take a look, distracting self with clips from Jon Stewart and Bill Maher shows, looking at cartoons on facebook, thinking I probably ought to delete every pixel of the writing without even looking at it. I'd be ashamed to see it. Eventually I get there and every time am awed by what I saw written, came out of reading each one, maybe twenty over five years, in a mild shock, saying, "Damn (2 syllables). That was pretty good," impressed I'd written so to my own satisfaction. Like, where'd that come from? Recalling lines from a poem by Kabir, or another of the Persian poets, "Dive deep, O mind, dive deep in the ocean of God's beauty. If you dive to the uttermost depths, there you will find the gem of love." I feel like my experience is a lesser version of same process. He's talking about enlightenment. I'm talking about finding the next sentence. The most important, in conclusion, is allowing self the freedom not to write when I really don't feel like it. I skip about one day a week, due largely to events taking up the day. I call it a day of rest, battery charging time.
 
how much is the donkey in the window
 
 
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Saturday, February 1, 2014

SELFIE AS EQUINE ASS



A few weeks ago I made the decision to put the false out of my life, to stop paying attention to politicians and their absence of concern for we the people except as the enemy to destroy to get out of the way. I see on the corporate news how severely another country is criticized for arresting people in political demonstrations. Yet, here at home, corporate press pays no mind to American citizens arrested for political demonstrations, pepper spray squirted into their eyes with intent to destroy the individual, most often a woman when they do that. I see so much hatred for women in the politicians that it makes me question why I didn't see earlier how far a very large percentage of men look down on women and want to harm them. Maybe it's because I'm not of that mind and pay no attention to it. I can't stop them or change them, nor would I want to, but I can let them go their way and I'll go mine. It finally came to me that I am wasting more attention on them than they are worth. My attention is my power, and I decided to withdraw my power from them, take it back. It used to churn my guts to see a picture of supreme parrot Ted Cruz for his ignorance so profound that even as a brain-dead robot he cannot possibly believe any of what he says publicly. I came to see that feeling revulsion for him is giving him attention too. I see his picture or some headline of another inanity from him that makes Sarah Palin look a PhD in quantum physics and I feel revulsion. They are being used for their ignorance to appeal to the people of third grade comprehension. Think tank strategy. It works. But I don't want it in my head. They can all go take a walk.
 
marino marini
 
One day I told myself this is it--no more. I hear bits of news now, though I've stopped being concerned about any of it. I see quips on facebook nearly every day, something, somebody telling me I need to "get angry." An article will be introduced, "If this doesn't make you angry, nothing will." I say no every time I see one. Whenever I've taken the bait and read the article, the only thing that makes me angry is that I took the bait. To get angry over something I have no say in the matter will only lead to frustration, suppressing the anger and falling into depression. For John Boner and Mitch McConnell? I think not. I can't get angry about orphans with AIDS in Africa. I'm sympathetic, would love to help them, but I'm an American living in poverty, meaning I have nothing left over to give to at least a million mournful causes, not even one. I can't change anything in the political arena. I'm not a corporation that can make laws at will. I can't take a Senator to lunch at the club and slip a roll of hundred dollar bills into his pocket. If I went into the coffee shop and one of them was in there, I'd turn around and go back out the door. So why do I pay attention to them, to like or dislike? I would never shake hands with one, would never get close enough to one to touch hands. So why do I give them my attention that is my own? I started to see that putting them out of my mind will leave room for something else. Same day I made the decision, I was invited by Ruth to the Daily Creative Practice group on facebook. Several artists show what we're doing, get feedback, give feedback, enjoy meeting new people. Since tapping into this online group I've noticed rather significantly that my inner light is coming on, like raising venetian blinds on a sunny day.
 
marino marini
 
Looking at what the others are doing in the Daily Creative Practice group, connecting with them, making my own contributions, getting feedback, enjoying the ones I've become acquainted with by way of comment boxes. People I could see in a shopping center and never suspect they were doing some very nice explorations in a variety of art forms. I've been engaged with them long enough by now that I'm getting a feel for the art forms of the different ones, a feel for what they're doing. My appreciation grows every day. Earlier today in town, I had several places to go and visited with one or more people I saw at every stop, sometimes briefly, sometimes with a little time. Went into Farmer's Hardware for bird seed and found a mineral block for the four-leggeds. I was hoping Marsha would be there and she was. We talk about equines, donkeys and horses. She knows them well, passes to me valuable information on taking care of them and knowing them. I remembered a dream from the night while we were talking and told it. It amounted to something like a three second video on youtube. The back end of a reddish brown horse kind of jumping and bucking, alone next to the mailbox. It's neck and head were white and gray with black spots. Marsha suggested I attempt to analyze it to see what it is. A tall order, indeed. I'll make a brief go at it. First, I think it is a reference to a print by Marino Marini I posted here a couple days ago of two parts of a horse, the back end and the neck and head. That was all I saw of this dream horse. The back end was the color of earth that all comes from and returns to, even Barbie. The head and neck the colors of duality, black and white. The head the seat of the mind where duality resides. The back end of the horse might be pre-duality, pre-forebrain. The self that is the physical body, the horse's earth-colored back end. The self that is the mind, the black and white head. The horse's one move was a backwards kick like a donkey, but awkward like it had never tried this move before.
 
marino marini
 
I'm guessing the subconscious was seeing the Marini horse in the print and it surfaced in a dream in color and black & white. The horse in the print is in motion too. I've an idea my appreciation retained the image and the subconscious mind played with it in unconscious photoshop. I've looked at Marini's image with much admiration and suppose mind retained it and imagined it into life as a horse in motion, the gesture Marini's image caught. Back end colored like a horse, front end colored like a dog. The head and neck tame, the back end wild. An image of the human condition. Duality within duality. As for what it had to say to me, I am the human condition too. It even seems like a trick a donkey would play on me, or a trick mind would play too. Remaking Marini's horse. Like Duchamp's Nude Descending the Staircase is Cubism in motion, the dream was Marini's print of the horse in motion. I don't feel like the dream is something like a tarot reading, just an image, a remake. The horse appeared on the place where I feed the crows in the morning. It was a spirited horse in the way Jenny is a spirited donkey. Maybe it was telling me I'm a horse's ass. That would be difficult to argue against. It might have been saying: You think you're somebody big and spiritual, but it's all in your head; the rest of you is ass. Now I feel like we're getting somewhere. If I were asked by a judge in court under oath if I'm a horse's ass, I'd have to say yes. It can be proven in court; to say no would be perjury. I'm going to let it rest there. I feel like that's either it or close. Thanks, Marsha. That was an insightful assignment. Another good day's adventure focusing my attention on home, on my world, the people in my world, the people who are my world. It's so much better for the heart than dwelling in the false.    
 
marino marini
 
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