Showing posts with label jean arp. Show all posts
Showing posts with label jean arp. Show all posts

Friday, June 5, 2015

THREE NEW TSHIRTS

jean arp

Reminded again of the imperfection of perceptions, it has happened that the missing geode, Quan Yin's head, became a symbol of my talent for not seeing what I'm looking at. Psychological tests tend to be about interpretation. I don't read facebook article comments. They just make a jumble of chaos. One makes a convincing case that the one writing the article doesn't know what he means, the next one says it's the best ever, the next a string of insults, and sometimes one whose point of view matches mine, so what. I like about facebook that I see what is important to my friends in the posts friends put up. A few I think about blocking for putting up so much fascist propaganda, but don't do it, can't turn my back to somebody I like over his/her political opinion different from mine. Their opinions are equally inert and ill-informed as mine. I'm recalling a moment in the coffee shop a few years ago. I was at the bar talking with a woman I found extraordinary, enjoyed talking with her wit and intelligence. She was passing through and I was wishing she lived here. A time came I began to get a drift she was from the far right and adamant. I realized a time will come, before very long, she'll deduce I'm an anti-fascist. The moment I realized she would reject me for having different thoughts and experience from hers, I lost interest in her. I said, "It's time I tell you I'm a liberal." She swiveled around on her stool, put her back to me and didn't say a word. I had to control the compulsion to laugh out loud.

jean arp

Had summer tshirts custom printed today. Bought three black tshirts from Gil Thadani at Gil's Jeans n Things. Gil is one of my favorite people in Sparta. He's from Poona, India, the same city Meher Baba was born and grew up in. Gil came here from San Francisco, Hong Kong before SF, and India before Hong Kong. He married a Sparta girl who was in San Francisco when he was and came back to Sparta with her, raised a family of several kids, put them all through college selling clothes in Sparta. I buy all my clothes from him. One, I like to do all my business in Sparta, except for books and cds. And I like to support my friends. I feel like when I buy something, I am offering support to whoever I'm buying from. I'd rather give my money, energy, to individuals I appreciate than to corporate box stores with employees so poorly paid and richly disrespected they act like they're dead, corporations that rape every town they move into. I bought the tshirts from Gil and today took them to Crystal to print them. In white letters, one says, dissident, another says, insurgent, and the third says, the Seduction, my favorie punk band. She printed them and we had a good time visiting. This is my summer wardrobe. The fun in it is nobody but a very few will know what they mean. Though Daniel is from here, whose band is the Seduction, no more than a dozen people in the county ever heard of it, and them family. 

jean arp

I had not realized it before, but it is habit to look when I get home from town and park to see if Quan Yin's head is in place. Birds knock it off the rock it stands on fairly often. I'm experienced looking for it. Home from town, see her head is missing, I'll search for it before going to the house. I feel like it belongs in place. I understand a geode is a powerful energy, the reason I've not had this one sawed in two. I feel like that does harm to the energy. Like a nautilus shell. I have two, one that is striped and one a pearl shell. They look like shells. In a Myrtle Beach souvenir shop I found among the shells some sliced nautilus shells. They were pretty, but had lost their energy and color. They'd turned a dead gray. I wanted one, but realized in the moment shells must have some energy in them. Cut one into slices and it dies. Quan Yin's head is safe. When I leave the body, next time the geode falls to the ground no one will pick it up. It will roll under a fern or daffodil leaves, or it could be anywhere on the ground and no one will see it. It will seep into the ground, covered year after year by autumn leaves and may never be seen again, went home to the earth, just another rock in the ground. I feel a connection with the geode in that way, that we will both go home at about the same time. 

jean arp

Another art project is in motion. This one, like the one before, is made of scraps from Chris Durgin's woodworking shop where he's now making guitars. He was cleaning up the shop and put some sticks of wood by the woodstove to burn them. He let me look through the pile. I took at least half of it. Today he had a bigger pile for me. I loaded it all into the backseat of the car and there it stays. A great collection pieces of exotic woods, small chunks, slices, square dowels three and four feet long. Pieces of walnut, and some I cannot name. And there was a slab of a certain kind of pine with a beautiful grain that swirls. It is coffee table size. Thought I'd let Justin and Crystal have it, if they want it, to make a coffee table for the mancave or to sell. It is old and dry. Brought home some nice wood to add to my parts inventory. A mess of treasures. These two most recent projects feature beautiful wood. One is about two and a half feet by two feet, a big circle cut in three quarters inch plywood, the circle a foot and a half diameter. It so happens I have a sheet of thinly sliced wood found in an old picture frame with a print of Thomas Carlyle painted by Whistler. I took it apart to give the frame to Crystal to fix up and use as she will. This thin slice of wood not quite an eighth of an inch has beautiful grain in this old, dry wood. Some tung oil brought it to life. Glued onto the back, it fits the circle like it belongs there. Looks like the planet Jupiter with the grain horizontal. A ways yet to go. I can play with wood colors and grain now, make fun things never known before on earth.      

jean arp himsel



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Sunday, April 5, 2015

MASKS

masks by tj worthington

A quiet Saturday. Satisfied I'd taken an inspiration to completion the day before, assembling the parts of a project from vision to done in 24 hours. One of my favorite aspects, in dim light and from a distance it looks like two small paper bags glued to white paper. In light, it is wood, the wood itself. Two parts, each composed of three pieces of wood an eighth of an inch thick. I like the raw wood against the white with the black rectangle around it. I'm seeing it now in dim light across the room, two paper bags. I like the paper bag suggestion as well as the wood. The feedbag of sweet grain for the donkeys has a good, heavy paper bag texture. I'm thinking about not throwing it away. It has two layers of heavy grocery bag paper. It has wrinkles from use. Texture. Printing on one side, plain on the other. The inner layer all plain, no printing. Since I've been putting found things together, the hardware store has become my art supply store. Now, it's supplying paper, too. I don't even know where the nearest, or any art supply store is. Used to be one in Galax. I heard there is one in Elkin, but I never go to Elkin and have a hard time motivating myself to drive a hundred miles round trip for one item. It's not the most enjoyable drive around. It's like one of the commercials that is good the first hundred times you see it. The thousandth time, you'd just as soon not see it again. I've been up and down the highway's twenty-seven curves that are cop infested in the stretches of highway at either end. I like restricting myself to locally available resources. I can buy in big quantities online, but can't go into a store and buy one thing. It's ok. I like about it that it makes me inventive. 

minimum shadow when they look like paper bags

The glue used to fix the wood to the background piece of wood a quarter inch thick is wood glue that makes a bond like a weld. My friend Chris Durgin, who makes extraordinary furniture, and is now in a period of making guitars, suggested this brand of glue to the hardware store, Titebond III: Ultimate Wood Glue. He let me have the scraps of wood from a project a year or two ago, several triangles and rectangles of different angles. I keep them in a small box to the right of where I'm sitting now. I look at them from time to time, waiting for them to give me suggestions. Day before yesterday, sitting here writing, I pulled out the sliding shelf to my left and transferred the box to the shelf. I took out the pieces, looking at them in relation to each other. First arrangement I made, I hated it. It told me not to go in that direction. Shark teeth. Triangles have an element of threat and anger in them. I wanted to make something peaceable and quiet with triangles. I wrote awhile and between sentences would sometimes shift focus to finding a composition for the triangles and rectangles, using shadow the number one consideration. Eventually, I put two rectangles cut at the same angle together and stood a long triangle between them on its edge. The standing triangle would cast a triangle shadow to right or left. Made another and put them side by side, at this time seeing two larger rectangles, planes for the shadow to fall on. Side by side, I saw the comedy/tragedy masks. Arranging the incline of the rectangular faces with Picasso noses made by shadow, I began to see body language relationship as one sees in photographs of couples. Sometimes the heads lean toward each other, sometimes away from each other, sometimes one leans toward the other and the other's head is straight up or leans away.

another view

I see the nature of their relationship in photos of couples, which led me to give the rectangles a body language association with one another. The one that came to mind was the incline of the heads in a photo of my mommy and daddy when I was one. His right arm was around her waist pulling her to him. Her head was inclined rather sharply away from him. His head was straight up, angled slightly away from her. Their entire marriage was illustrated in one photograph. I chose the inclination of the masks in relation to one another from their pose, photo taken by her mother. The photograph strikes me primal when I see it. It's the same feeling I see in the rectangular wooden shapes I call masks. The long triangles make such obvious noses, the eyes and mouth are easily implied. I first thought of painting simple lines for mouths, but felt it was the first step toward complex, and withdrew the thought. I like, too, that from a distance it suggests two rectangular objects were placed on a piece of wood or cardboard to be spray-painted white. They were lifted and taken away leaving the two rectangular shapes surrounded by white, negative space, positive space. I like that the wood is raw and will change color over time. I did not set out to make masks, which makes it all the better. It's just that mask is what I saw in a particular arrangement of the parts. They are shapes independent of the idea of mask. I think of Marcel Janco when I see them, the Romanian Dadaist in Zurich who made masks. I'm happy with the association. Where influence is concerned, I see Jean Arp, French Dadaist in Zurich, more than any other. Every Arp I've seen in a museum I felt was holy, the way someone of the Russian Orthodox faith might see an icon.      

rocks for weight while the glue dried

I think I like it better with the rocks. Wanted to find a way to fix the rocks in place -- what it would take, I'm unable to do. Thought it would be fun to paint or draw. The rocks give it a Japanese flavor, a visual haiku. I've rested much of Saturday, rose reluctantly from a long nap to take grain to the donkeys. Going out the door, Jack brayed and I sang back to him. He will bray longer when I sing with him. We had a good one going. Jenny watched us closely like she was enjoying our song. I'd like to encourage Jenny, somehow, to join us with her bray, a high-pitched squeal. I believe the day will come she will join us. I'll talk with her about it in the morning at carrot time. No need to drive anyplace all day. I'd made something that satisfied my aesthetic. Celebrate with a good nap, sleep as long as I can. I carried in the new bag of grain returning from the empty mailbox I was hoping a book would be waiting for me to dive into it. No race this Sunday. And everybody else is doing Easter. A free day. Time to give some thought to next project. Time to read in the 150th anniversary book-sized selection of articles from the Nation magazine, a welcome bonus for the subscription. I'm thinking about watching Pink Flamingos. Haven't seen it in several years. It feels like a good time for a slap-stick gross-out. It's the nature of the news every day. It's not like John Waters will be a shock to the system. I will celebrate a commercial-free Sunday as quietly as I did Saturday. 
   
portrait of the artist by vada



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