ROCK N ROLL RAMBLE

pink floyd

I haven't listened to much music recently. Earlier in the day I was at football with Justin and Melvin. We'd smoke and drink in the mancave and return to the tv, back and forth, listening to the radio in the mancave. Most often we listen to the race or the game on the radio. Today, the Cowboys walked all over the Colts. In the mancave the radio was on a station that plays "oldies" of pop metal from 60s to 90s. We heard Pink Floyd's Money, the Stones' Paint it Black. The dj said Keith Richards turned 71 this week and picked this song to illustrate Richards' artistry with an electric guitar. Justin and Melvin returned to the tv and I stayed with the radio. Billy Idol's Dancing With Myself. I was thinking I wished they would play something with a punk jam to it, then they played Billy Idol. Just right. He did vocals for one of my favorite punk bands, Generation X. Dancing With Myself was the time of his transition from the London punk scene, which was over, to American pop. He injected a little bit of punk into American pop metal at the time. I sat listening to familiar rock from the past, songs I never paid attention to, but heard because they were in the air. Mostly it was post-Sixties metal heavy with lead guitar, a direction I did not follow in rock. About the time of the transition from Sixties to post-Sixties, I never took to nearly all of it. A bit too corporate pop. Punk started up in the mid Seventies and my rock n roll attention went with punk. The Clash, Joy Division, Nina Hagen, Patti Smith, the Sex Pistols, the Damned, Siouxsie and the Banshees, to name a few. I was listening to the rock I never paid attention to, hearing why, thinking I want to put on the Clash live when I get home, have a good jam. Listen to it like watching a movie, sit back and let it roll. 

mick jones and joe strummer, the clash

By the time I made it home, everything had changed. I seldom play music while writing; it pulls my attention and won't let it go. Tonight I wanted to hear music. I said to self, I'm not listening to music enough. I went searching through the classical collection for something to fill the air. Stopped looking when I came to pianist Murray Perahia playing Brahms intermezzo solo and one long quartet with the Amadeus Quartet. Perahia's piano puts me in bliss. Brahms does too. Together, the music is divine. Automatically, I wanted to hear Alban Berg Quartet play Dvorak, but wouldn't do it. I've fallen into a Dvorak rut where once I hear him I don't want to hear anything else. This is what happens when I read Tolstoy. I'm at home. Tolstoy speaks to my soul, as does Brahms. Murray Perahia is tickling the ivories like the master he is. I can't imagine the millions of hours of practice behind what I'm hearing. The same applies to the violin, viola and cello. Something with this degree of skill and artistry is out of this world, quite literally. Musically, I'm somebody, who, when asked what kind of music I like, is stumped. I don't know what to say. Can't say everything, because I don't like everything. Should I give the long list of what I like and listen to, or the shorter list of what I don't listen to? What is called for is a word or a short phrase, certainly not a list. I don't know what to say. 

murray perahia 

One day someone I knew then, some years ago, dropped by with a friend I didn't know. I happened to be playing a Chuck Berry album because I'd been reading his autobiography he wrote in prison. The guy I didn't know said, I see you're into oldies. I was older than his parents. I thought: What? But couldn't say anything. Uh, yeah. Whatever. I thought about warping his mind forever by putting on the Murderdolls. But chose to let him believe his generalization. I had a hard time with one thing I'm listening to being the only thing I listen to. It told me he is into one kind of music. Didn't ask what it was. Didn't want to hear him say Poco. I'm remembering my friend Jim Rhodes I used to ride to Boone with weekly for Edgar Cayce meetings. When rock n roll was new, I was the first year that could stand to hear it. The kids one year older than me and beyond could never develop an ear for rock. Jim was a few years older and had never listened to anything but big band music, cotillion dance music, which he loved. He asked me one time to bring a tape of something I listen to in the car so he could hear what it was. I took a cassette of Hole's Live Through This. It was new then and it was in my truck. I told him to push the off button as soon as he can't take any more, I'm not pushing it on you, only answering your question. It didn't last ten seconds and he never wanted to hear anything else. Even among people I know who listen to rock, very few can listen to what I like. Neither Justin nor Melvin like what I listen to. Not so much that it's extreme, because it's not. I haven't listened to radio pop since the Sixties when non-corporate music went underground. 

courtney love, hole

I'm inclined toward artistry with the guitar. I don't mean flourishes, but a new, original sound. Tom Morello of Rage Against the Machine, my guitar hero. I don't know many people who can take more than half a minute of Rage Against the Machine. But that's not my concern. My only concern is that I like them. I will sit down over the next day or two and give myself a good Rage concert. The first time I heard them, I didn't get it. Then I got it. I feel like a great good fortune in my life was being just the right age, 13, to start listening to rock n roll when Shake Rattle and Roll, Maybellene, Long Tall Sally, Bo Diddley all came on at close to the same time. One at a time, the pop radio station played a new rock n roll song. I've thought it a blessed aspect of my life, chose to follow it all the way along, see where it goes. It's been a half century and a decade of a wonderful music. It has a way of absorbing every other music it touches or that touches it. An Australian rock band of Aborigines, Yothu Yindi, uses traditional instruments with electric guitars, keyboard and drums. They're quite good. I love how rock n roll came from the wedding of Anglo music and music from Africa. James Brown and Otis Redding did a tour of Africa and turned people all over Africa on to a new electric sound from America that evolved into a new kind of dance club music mixed with traditional musics all over the continent. Now African music is coming back to us and getting woven into rock n roll again.   

zack de la rocha and tom morello, rage against the machine

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CELEBRITY ROLE MODELS

andy warhol

Earlier, I watched a half hour talk by young actor Jack Gleeson of some pop tv show I've never heard of and don't want to see. He spoke to the Oxford Union about celebrity, this new role in life he fell into unawares. He was insightful. He spoke as himself and as celebrity. He analyzed what celebrity means in our society, role models largely, though he hesitated to see himself as a role model, when all he's wanted to do was to be an actor. Of course, he wanted celebrity status too, but had no idea what he was getting into when the role of celebrity came to him. I felt like he fell short of what he wanted to say. He lost himself in the forest of his mind and research, a talk written in another place and time, the night before, possibly in a hotel room, where one follows mind in one context, then at the place he's meant to give his presentation, it's an entirely different context from the one he'd projected for himself in the writing. I sat through the whole half hour of his talk. It held my attention. Not long after, I saw where Pope Francis ordered the distribution of 400 sleeping bags with papal insignia to the homeless of Rome. Swiss guard and volunteers distributed them, driving around the city in a van looking for people to give the sleeping bags to. I thought, a conscious role model gesture from a celebrity using his celebrity status to call attention to the people who need help. I admired him again. At first, I thought it a bit corporate having Vatican insignia on them, then rethought: the people who receive these sleeping bags will prize them as personal gifts from il papa, holy sleeping bags. 

These are humble people, more than likely all of them Roman Catholic, who hold il papa the highest. It's a refreshing bit of news. His celebrity status is a role model for many, and some of them will repeat the gesture in different cities of the Western world. He encourages people who pay attention to him to be kind to the poor, to see that poverty is a miserable existence. He has already reformed the Catholic church with his own humility. He has a charisma no other pope or public religious figure in my lifetime has had. He extends himself to the poor, not the rich. Kinda upside down and backwards in the world as it is today. I wonder if he might be a light in the darkness. I don't know if any popes in the past have had his compassion. It seems both odd and necessary that a celebrity religious figure who cares for the poor would be in ascendance in this dark time for a world of people living in spiritual poverty. America that calls itself a Christian country hates the poor. The poor are not beloved in Europe either. In a time when only celebrities have voices, it's refreshing to have a papal celebrity who wants to live the teachings of his Master. Like Bob Marley, he's too popular to assassinate. It's fun to know that he is burning the American so-called Christians a blister. They have him identified as Satan in human form. Help the poor? Satanism. Half a century ago, it would have been communism. Enabling the good-for-nothings. Get a job. Great idea. Know anyplace that's hiring somebody who needs mental health care? Get them off the streets, put them in prison where they're abused and given AIDS, often end up in solitary for inability to contain emotions. I hear Fifties comedian Dave Gardner in my head saying, When a man's down, kick him. 

andy warhol

The few times I've seen American Idol, I've been in awe seeing these young people so desperately appealing for celebrity status and a chance to be rich, wanting to be a product, the next Britney Spears and Michael Jackson. Listening to Jack Gleeson talk about role models, I was recalling the time when I was taken with pop star celebrities for role models. Bob Dylan was a good role model for me. He went his own way, struck out in a new direction several times. Pete Seeger wanted Dylan to be the one to take folk music mainstream and Dylan went electric with rock. I think I've used Dylan for a model in my readiness to change my art form from time to time. When what I'm doing gets boring, I change and do something else. I knew intuitively in childhood that my life would be one of many big changes. I've made it a point to be open to the changes and to flow with them. Dylan has been an encouragement to honor my own changes. A guiding light in that way. A celebrity role model. Henry Miller, too, was a celebrity role model. I liked Miller's moral code, his willingness to let go and see what comes next, his writing most of all, his engagement with the physical, emotional, mental and spiritual. I learned from Miller that the people immediately around me in my world are every bit as important as celebrities. It's been among the most valuable learnings of my life. It has opened the door to a lot of people I might not otherwise have appreciated. I learned from Miller that interesting people are everywhere around. Nobody is writing their biographies, but they all have unwritten biographies. I learned much appreciation of others from Henry Miller, as well as appreciation of solitude. It's an interesting subject, the influence of celebrities as role models. It's something I never think about. I can't help but think it would be a horror to be a celebrity. I'm happy on Waterfall Road pursuing my own interests. 

andy warhol

About the most foolishly flattered I'd ever been was when I was asked for an autograph taken for Mick Jagger. The kid was so disappointed when his star sighting turned out to be a dud. I laughed in embarrassment, embarrassed because I was so flattered. I'm laughing that same laugh right now. This would have been 1967 or 8. Now I'd do good to be taken for Walter Brennan. Even then, I didn't look any more like Mick Jagger than Willie Nelson. I think of the Rolling Stone song, Star, that's what you are. One of the great songs about celebrity status. And another Stones lyric, it's the singer not the song. In the old-time way, it was the song, not the singer. Now it's the other way around. It's another time, another experience, another cosmology. I've seen the celebrities of my past fade into history, like Frank Sinatra and Elvis. A few years ago in the grocery store a girl at the register had a name that was a Chuck Berry song. I mentioned the Chuck Berry song. She said, Who's Chuck Berry? I knew then I was in another time zone. Our celebrities change so fast and the role model they manifested is in new faces and names, new ones for each generation. They make us think we're cool for being aware of them. I find in this time of the life when I hear the Rolling Stones as a band of musicians making music, I hear the music better than I ever did when I was listening to stars. Baby Vada, 3, already is enchanted with Elsa, the princess in the children's movie, Frozen. Crystal took her to see the ice show in Greensboro, Frozen on Ice. Elsa waved to the audience in Vada's direction and made Vada's show, "Elsa waved at me!" Vada has an Elsa dress she dresses up in and runs around the house a princess. 

andy warhol by andy warhol

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THANKFUL FOR LITTLE RICHARD

I went to YouTube to find a video of Little Richard singing Jenny Jenny. Found several and watched three, shaking my head, cracking up, loving it, jamming to Little Richard again. It took me back to high school years listening to Little Richard on 45s, buying the new one as it came out as quick as I could get it. Jenny Jenny was one of his rockers I liked a lot. It was 1957 punk. In that time, I could have had only Little Richard records and been satisfied. I listened to the other music because it was there, but Little Richard satisfied my soul. Seeing him today, fifty-eight years later, half a century, I have a donkey named Jenny and sometimes say to her, Jenny Jenny Jenny, hearing Little Richard in my head. His songs are tattooed on the inside of my skull. Seeing Little Richard perform in 1968 was not quite the same as Little Richard in 1958. In the ten years between, he'd left rock n roll, threw a big diamond ring in a river and went to preaching. Later, he went back to rock n roll, fell in with cocaine and a Sixties rock star lifestyle until it wore him out. He left rock n roll and went back to preaching. I think it was in my second winter in the mountains I saw in the Winston-Salem Journal that Little Richard would be preaching at Winston-Salem State College. Of course, I drove to the city to hear this. I never had a chance to see Little Richard perform his music, and here was a chance to see the other side of Little Richard, the preacher. He was good, had stage charisma to the max. He walked back and forth along the edge of the stage, dressed in black, looking like a black leopard pacing back and forth behind cage bars. He didn't do emotional religion. He talked rationally, a man who thought about things. 

little richard

He was down on rock n roll, saying it was of the devil, that he was serving the devil when he was playing rock n roll. I didn't fall for that one, but I wasn't there to agree or disagree, only to see Little Richard preach. I felt like he made a little over-much of it. I saw a man with a pendulum swing inside that went from one extreme to the other and back again. He was sincere in what he was saying. A few years later, I was at somebody's house and Oprah or something like that was on, Little Richard the guest. He was complaining about not getting enough royalties for his songs, having been ripped off in the original contract. He was talking about being the king of rock n roll. His face was stretched so tight from face-lifts I was thinking you could play drums on his face. I don't care that he lobotomized himself with cocaine, bounces back and forth between extremes in his private life, and comes across on tv like he's nuts. The first concert video I watched a few minutes ago was in b&w. He totally gets into the music. He was singing, standing at the piano pounding it with both hands, facing the audience, bouncing up and down, his face behind the mic, hopping up and down. I thought this a marvelous demonstration of multi-tasking; bobbing up and down, pounding a piano with both hands, standing up, singing into a mic, attention on an audience of several thousand. I felt a mild awe at his performance. I saw Prince in one of his amazing performances. It was rock n roll in the raw. I saw Billy Idol with his band Generation X. I saw punk rock, the match that started the fire. I saw Joe Strummer of the Clash, Richard Hell, Perry Ferrell. I saw that Little Richard sounds as good today as he did then. 

little richard

Rock n roll has moved on in new directions since the 1950s, though it has not moved beyond Little Richard. It's like he's the North Star of rock. I was thinking, while he was singing Jenny Jenny, I'd like to hear a punk band cover it, a band like NOFX. Johnny Winter came to mind singing, I was raised on rock. Rock n roll started when I was 13, just ready for some music of my own. I went on YouTube to a concert called Little Richard and Friends--Legends in Concert. I think this might have been 1968, a big concert in London. It started with Little Richard playing several songs, then Bill Haley and the Comets played Rock Around The Clock, Jerry Lee Lewis playing Hound Dog and Whole Lotta Shakin Goin On, and an extended Chuck Berry concert. Soon after it started, I saw it was forty-one minutes, thinking I'd listen to one or two Little Richard songs and go on. Little Richard kept me listening, then Jerry Lee kept me watching, then Bill Haley totally held my attention, more Little Richard, and then Chuck Berry sang several songs. These were the people who pulled me into rock n roll in my early teens. I watched all of it. I remember when  Bob Dylan took up rock n roll and it became rock. The English sound happened and the rock n roll that went before suddenly became oldies. Now, oldies is 80s and 90s rock. Sixties rock lives in today's heavy metal. Punk continues. Punk started approximately 1975 and has been going ever since. The first twenty-five years, punk was only played on college stations. Commercial stations were afraid of it. Then it became "mainstream," commercial radio. 

From the moment I heard Patti Smith's first album, I was wanting to hear more. New Wave was the New York style of punk, and Punk in London was sending records over here. I listened to both. The English punk took hold of me in a don't-let-go kind of way. From all the kinds of music I have in the house to listen to, I tend to go to late 70s English punk when I want to rock. Joy Division, Siouxsie and the Banshees, the Clash, Generation X, and out of Berlin, Nina Hagen, the Mother of Punk. Nina Hagen's bands on every album did it right. Punk started just as I was leaving the city for the mountains. Upon arriving in the mountains, I found the NPR FM station WFDD in Winston-Salem. From ten til midnight a college student dj, Didi Thornton, called herself DDT, played fresh new punk every night and I taped several of her shows. They put her off the air after a year or so. The people who contributed money to the station revolted against her. It was the same as adults shutting down the Fifties period of rock n roll, calling it communist, subversive, African therefore devil worshiping. It was the black influence in the music that drove the white grownups nuts. The other claims were smokescreens around the central issue: white kids were listening to nigger music. Dick Clark did his best to deflect interest to Italian pretty boys and doo-wop groups, and there came a time rock n roll was fading to the background. Then the English sound happened, the Dave Clark Five, Spencer Davis Group, Rolling Stones, and it's been on full blast ever since. Going into the last days before Thanksgiving, I have to say that I am grateful for rock n roll.   

little richard grown up

  

MY GENERATION: FLAT TOP CATS AND DUNGAREE DOLLS

 

 

 

As I look at my generation with a cold eye, I don't see anything worth crowing about except rock n roll. I remember in high school believing my generation was going to be "awesome," really believing it, even feeling a pride in my generation. We were the first white people to use the word "cool" outside jazz circles. There were so many black people in the early years of rock n roll from the rhythm n blues angle that I believed this was the end of racism. Then came the time of civil rights protesting that had an air of righteousness about it. The emergence of Bob Dylan in the early Sixties was even more evidence that my generation was extraordinary. We who listened to Bob Dylan in his early years became convinced right away that he stood somewhere beyond the others. Dylan has been the pop star of my lifetime like Frank Sinatra was for my parents' generation. I've seen both in concert. Sinatra was dynamic in his style and Dylan was dynamic in his style. Sinatra sang. Dylan sang, wrote the lyrics, composed the music, played guitar, hand-picked his band, tours with the band every year. Sinatra was an artist as a performer and actor, Dylan an artist all the way around. Dylan blew my mind then, he blows my mind now. Mr Tambourine Man never gets old, nor does Sinatra singing Watertown.

 

bob dylan

 

 

My generation, like the musicians of the Sixties "classic rock," then "underground," meaning you couldn't hear it anywhere on the radio, and the musicians of Punk, that also was not played on the radio except college stations, they went Pfitzzzz, shooting stars taken down by heroin. As was the case with the Be-bop jazz musicians the generation before, where the white kids picked up the word cool. I did jr hi and high school through the late Fifties. The music was my connection with the world outside home, school and church. Bill Haley convinced me my generation was cool, We're gonna rock around the clock tonight, we're gonna rock, rock, rock til the broad daylight, we're gonna rock, gonna rock around the clock tonight. The poetry of my youth. Well I saw uncle John with bald-headed Sally, he saw aunt Mary comin and he duck back in the alley. I didn't get it til many years later that Long Tall Sally was about masturbation. Long Tall Sally was uncle John's wiener. Busted. I knew Edie Sedgwick was the "you" in Dylan's Like a Rolling Stone a long time before I got it about Long Tall Sally. That was the time in my life when I knew all the words to all Little Richard's songs, Chuck Berry songs, Bill Haley's and Buddy Holly's, esp Rave On. They are still with me. Can't leave out Ronnie Hawkins' Mary Lou, perhaps my favorite song of the whole period. I can pull up the words of any of those songs at will, as well as many others, like Heartbreak Hotel. Fifties lyrics are the poetry in my head.  

 

 

 

The music of that time was so great to a teenage kid coming up on radio music parents listened to, none of it resonating with me, though some of it I liked. Peggy Lee was pretty cool. When rock n roll happened, I found my heartbeat. The music was rebellious, just the way I felt, though had to internalize it, which I did with the songs in my head and listening to stations on the radio that played the new music. Bought 45s and had the next thing to a tin can to listen to them on. Didn't matter. We didn't know about CDs and Bose then. Anything was better than nothing. My generation has made great leaps in sciences, fields we know nothing about, because interest in the field rarely extends beyond participants. The same applies to poetry, theater, fiction, film making. The greatest rock n roll band in the world is my generation, the Rolling Stones. Then, of course, there is the Who's My Generation, Peter Townshend who pointed a finger toward Meher Baba with the Who's album, Tommy. Perhaps the greatest discovery of my generation is recreational drugs right there alongside rock n roll. The drugs have taken their toll on my generation, though most survived, all the wiser for having been through something really dangerous and come out the other end. My generation has also been one of embarrassing conformity. We grew up believing television propaganda, like all generations since.

 

pete townsend

 

In college, nobody wanted to grow up and be like their parents. Thirty years later I went to a reunion and thought I was back then in a big room full of everybody's parents. It was disheartening, but I already knew it. I was surrounded by people who bought the package I rejected. I meant it when I said I didn't want to be like my parents. The laugh for me after thirty years of living outside group-think by intent and many of those years living with hillbillies, adopting their vision, it was disconcerting to find myself in the midst of lawyers, doctors, judges, and their dolled-up wives, putting on the dog for each other in suits that cost more than the pickup I was driving, suburbanites good at cocktail party chatter. Some winters before, I had carried a newborn calf through sixteen inches of snow to the barn to put it on some hay. Mother would not follow. I carried calf back to mother to let her smell it, carried it back to the barn, mother didn't follow. I took some hay bales to the spot on the snow the calf was born and made a nest for it, carried the calf back from the barn to place it on the only spot mother recognized it. Sixteen inches of snow. I didn't feel less than any of the judges around me and didn't feel better. We had very different experiences behind us and very different ideas of how we want to live our lives. They paid people to mow their lawns more money than I made.

 

 

My goal over the last thirty-eight years has been to live in the world, not of the world. It took several years to figure out what "the world" meant to my satisfaction. What I've come to is that the human mind is "the world." Creations of the mind constitute the world. Conformity is living of the world. Anti-conformity is living of the world. I'm not the only one of my generation who has stepped outside living of the world. We ask more of ourselves along the way through life than what channel is playing Cheers reruns. Maybe. That's a little high-sounding. Let's just say my generation has an awful lot of us who go our own way for our own reasons, checked out of the System consciously, however we individually interpret the System, uninterested in playing the climbing game, the status game, the money game. We leave that merry-go-round so we can have another ride of our preference, Ferris wheel, rollercoaster. In my case, I've rarely made over minimum wage, never wanted more, did not want to need to be an accountant just to live my life. I never wanted to live in a suburb where the houses are slight variations of each other and the mailbox out by the road needs to be housed in a brick structure because of kids bashing mailboxes on Saturday nights. I'd rather listen to the call of the crows, the tweet of the towhee, the buzzing sound chickadees make, the tree frogs, fiddle and banjo music, and conversation with my friends at the coffee shop in Sparta. Am in a place now where I want my life in first person instead of third person.   

the roan mountain hilltoppers

 

 

 

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IT'S ONLY ROCK AND ROLL BUT I LIKE IT

Hearing the Psychedelic Furs. I've not listened to enough music lately. The Psychedelic Furs is a band that has satisfied my ear for a long time. Having 2 of their cds, often when I want to hear some music and don't know what, the Psychedelic Furs is the answer. I see they have a website and they're still touring. They played in Charlotte 5 nights ago. I'd have gone to that concert if I'd known about it ahead of time. That would have been a good one to drive a hundred miles to. They're grown up now, 2 decades after, but I imagine their musicianship is that much better and their performance of the music is too. I don't usually listen to music when I write, because the music takes me over completely and all I can do is listen. The reason I've not been listening to music much is it takes me over completely. Before I put on a Patti Smith album or Bob Dylan, Bryan Ferry, Jane's Addiction, The Clash, Generation X, Black Uhuru, Burning Spear, Angelique Kidjo, SE Rogie, Alternate Roots, Aerosmith, Skeeter & the Skidmarks, Ralph Stanley, Whitetop Mountain Band, to name a few that take me over unmercifully, allowing no wandering of mind, before I put them on I have to have enough time to listen to the album all the way through. SE Rogie coming to mind makes me want to hear him. Beautiful lilting palm wine music with acoustic guitar and singing from Sierra Leone.

s e rogie

The world has so much beautiful music in it, it's hopeless to want to hear it all. I've tried to hear it all, at least a general sampling, but it can't be done. I start listening to North African Rai and can't go on from there for a long time. Or start listening to Islamic sitar music from India. That's it. And then there is what happens when the Rolling Stones come on. I'm all ears. No matter what song by them, it has my full attention. On cd, the only Stones albums I have are the one live at very small clubs, Stripped, where they play almost unplugged greatest hits, blues songs, Dylan's Like a Rolling Stone, and their first album that has I'm a King Bee on it. I tend to like everything by the Stones. Their first album continues, after all the great ones like Black & Blue, Exile on Main St, to be the one I return to. Just now found a website that plays the entire album, youtube, so it is playing now as I write. Didn't intend to do that, but am in a Stones bluesy mood. Velvet Underground had a similar groove as early Stones. Stones went to the big auditorium sound, not hardly by choice. There was no auditorium on earth big enough not to sell out immediately for Stones tickets. I never saw a Stones concert. It seemed too much to me like going to Woodstock to go to a place so big the band is the size of vertical ants on the stage, like seeing them from a plane. I like to be able to see that it is human beings on the stage. I don't like to be so close that I see how dirty they are. Too close, they're just people, like us, not big stars, not a fantasy of what a rock star oughta be. It's just dirty, sweaty, stoned American and English young'uns looking to meet some chicks and make some money.

rolling stones

Jagger is singing I'm a King Bee. It takes me back to the Fifties, high school, hearing Slim Harpo singing it on the black stations in Kansas City and Wichita, stations I listened to as much as the white stations. That's where I heard Bo Diddley, Big Mama Thornton, Big Maybelle, Etta James, Jimmy Reed, Little Richard, Chuck Berry. Some of them were played on the white station, but when I listened to both, I heard the best of the new music twice as much. The white station would be where I'd hear Marty Robbins' Singin the Blues. Ray Charles singing Lonely Avenue was incredible. What'd I Say was stellar, like the Stones' Satisfaction a few years later. This Rolling Stones blues and r&b album takes me back to the music like this I heard on the black stations in the Fifties. That's where the music was played that I loved. Didn't have to listen to Paul Anka on that station. They played Mickey and Sylvia. Everything they played was something I wanted to hear. I'm hearing why the great blues guitar pickers, Bo Diddley, John Lee Hooker, Muddy Waters, Chuck Berry were impressed by what they heard when Keith Richards was making music with them. On the Stones concert video Martin Scorsese made, Shine A Light, Richards and Buddy Guy get to going on a guitar duet, whatever they call it when they play in perfect sync. They tore the place up. In an interview clip shown in the film, somebody was interviewing Richards and Ron Wood together. Asked which of them was the best guitar player, Richards said (I paraphrase), We're both just ordinary guitar players, but together, nobody can beat us.

dionysius and the satyr

 

 

I've let the Stones album play again, and again. It takes me to my very own foundation in music. The beginnings of rock n roll occurred with the Penguins' Earth Angel, the Coasters' Searchin, Bill Haley & the Comets' Shake Rattle and Roll, Little Richard's Tutti Frutti, Chuck Berry's Maybelline, Bo Diddley's Bo Diddley, Elvis's Heartbreak Hotel, Jerry Lee's Whole Lotta Shakin Goin On, then the whole body of work by Chuck Berry and Little Richard throughout my Jr Hi and High School, the years when a kid really needs his own music. I had the super good fortune to see both Alan Freed Rock N Roll Shows. I think the years were 58 and 59. They were fabulous for a high school kid who by then had a head totally involved in rock n roll. Rock n roll was my escape fantasy. At one of the shows, Fats Domino played his set and filled out the time of two players who'd missed the show, Jerry Lee one of them, Screamin Jay Hawkins the other, from probably being too drunk and whatever else. Buddy Holly and the Crickets, and the girl group I loved the very most, the Chantels, were there. I heard the Chantels sing their two hits, Maybe and Every Night, from twenty or so feet away in adoration. I was like a Catholic boy kneeling before statues of saints aching his heart out to be a real boy. Chuck Berry played at both the shows. After work, walking to the bus stop to go home from work the day of the second Rock N Roll Show, a gold 57 Cadillac with venetian blinds in the back window, mudflaps and a license tag that said, C BERRY, passed by so close I could have reached out and touched it if I'd seen it in time. Flipped me out. I had all his 45s to that date. The show was that night. Larry Williams fell off his upright piano attempting to dance on top of it drunk. I loved seeing Mickey and Sylvia sing Love Is Strange.

 

 

chuck berry

 

This music from the Rolling Stones' first album brought that period of music back to life for me. I was a hung-up Fifties lonely teenager listening to Dion and the Belmonts sing about it. Oh Susie Q, baby I love you. Ronnie Hawkins' Mary Lou I loved as much as any Little Richard song. Little Richard stood out for me way beyond everybody else. Bob Dylan took care of that zone for me next. I'm goin to tell you a story 'bout Mary Lou, she's the kind of a woman make a fool of you...She took the keys to my Cadillac car, she jumped in my kitty and she drove a-far. Learned many years later, his band, The Hawks, evolved into Dylan's band, The Band. I guess it's all right to call Elvis the king of rock and roll, but for that title, I'd have to go with Bo Diddley. I'd give it to Little Richard if he hadn't had so many facelifts. He's the undisputed queen of rock and roll. I say Bo Diddley because the Sixties bands leaned more toward the Little Richard and Chuck Berry sound, except the Velvet Underground that came after the Bo Diddley and the Buddy Holly sound. Punk that started in 75 went with the Bo Diddley and Buddy Holly sound funneled through the Velvet Underground. A very large portion of the rock ever since has been of the Bo Diddley sound, a tight, quick beat. His influence in rock is every bit as direct as Chuck Berrry's and Little Richard's. I had the good fortune to see Bo Diddley at Ziggy's ten or more years ago, when he was 74. He gave an all-out concert, and it was, indeed, Bo Diddley his very self. It was thrilling for me, loving his music my entire music-listening life, Bo Diddley playing all those songs that are standards in the jukebox of my mind. The Bo Diddley beat is in me as much as Carlos Santana's guitar. Ron Wood made a live album with Bo Diddley in concert at a small New York venue in 1988, Live At The Ritz, dynamite rock and roll.   

 

 

ron wood and bo diddley

 

 

 

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