Showing posts with label water. Show all posts
Showing posts with label water. Show all posts

Monday, January 4, 2016

THE DOG AND THE WALKING STICK

 
 
nose to the ground
 
Early afternoon I went out the door with dog and new walking stick. She saw me pick up the stick and flinched slightly. It told me something about her past and her insecurity. I assured her the stick was not for hitting dogs. We don't do that here. I would use it to hit a dog attacking my dog friend, only then. Dog protects me. I protect dog. She's not yet saved me from a bear attack, but she makes it possible to walk in the woods again without concern for four-legged surprises. Dog would smell and see it before I would, and bark aggressively, alerting whatever it might be to leave primate alone. Primate has a ninja dog blood brother, in this case sister, who will die to protect him. The barking alerts me to look for what it is dog sees, most often a twig shifting in near distance, maybe a squirrel running for a tree after seeing a dog. She bounded with joy walking toward the road. She knew we were not going to the car, but beyond the car into walking stick world, paradise for dog's inquiring nose.
 
rhododendron walking stick
 
The wood for the stick came from an old rhododendron in the woods behind the barn, dead for so many years the wood cracked from the drying process. The bark was paper thin, loose and falling off. The bark under the exterior bark was fused to the wood structure. This layer of bark I carved off with the pocket knife. It takes several hours to carve the bark away and round the tips. The end that is the handle needs to be smooth as glass for walking comfort, sometimes in the palm of the hand. Also rounded the tip that touches the ground to inhibit splintering and splitting.  The wood has been dead for so many years the rotting process had begun. Rotting starts in rhododendron with black lines like drawn with an extra-fine-line pen running in abstract patterns with the wood's flow lines and some discoloration in abstract absence of pattern. It has the strength of the living wood, as dry as the wood can be before decay sets in. I think of the abstraction of lines and discoloring something like the patterns retained from memory of experience in the soul, called impressions and sanskaras. Mental impressions, mind tattoos, experience carried from lifetime to lifetime. This is my stick for the rest of this lifetime.
 
dog head and water flow
 
In my own personal symbolism, the stick represents the journey of the soul. I've never used a walking stick in the years I roamed the mountains following a dog. In this time of advanced age, I'm not as firm on the feet as I one time was. I walked over varieties of ground with the stick to get a feel for handling it over different terrain. It is good for balance, extra good for climbing a steep hill and walking down a steep hill, good for a sideways slant. The stick is a good brace for jumping from one big rock to another, a hand to hold. In the past, a walking stick became a nuisance I carried over my shoulder soon after starting the walk. I'm slower now and not so lithe on the feet. A walking stick makes a good assist. It is good to lean on during a break, standing still watching dog play in the water, run over the ground, up hills, over trails of the night people, following her nose like it's attached to a meandering rail.
 
lady in red
 
Early in the walk, I came upon a place to approach with attention to foot placement. Went within to my "center," just below the navel, focused balance there, instead of in my head, and balance came so naturally so quickly it felt something like shifting gears. I took an interest in photographing water flow over small rocks, over sand, over big rocks, channels of flow, looking to catch the lines of flow on the water's surface like the continually changing flames of a fire. Walking in the woods makes dog deliriously happy. It lifts primate's spirit as well. We will take longer walks as time goes by. Winter is a good time for walking in the woods. The serpents sleep in hidden places. I like not being concerned about stepping on a snake. Another thing I like about walking with a dog is they find snakes first. The dog alerts me to the snake and we walk around the snake. Dog's senses are hyper-alert out in the woods. I'm enjoying seeing a dog run free in forest, a dog only familiar with city life on a leash. It's how I felt in the beginnings of living in the Blue Ridge, let off the leash. I'm used to it by now, it's the grain of my life. Dog is refreshing foggy memory of wonderment in the first years of walking over these mountains. I review my own awe in the time of discovering these mountains were the terrain of my spiritual path of liberation from self by way of understanding, attitude toward life, allowing, and mere being.  
 


the same place maybe 3 seconds apart


 
 
photos by tj worthington
 
 
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Saturday, June 28, 2014

OLD MAN RIVER


Talking with my neighbor Gary this afternoon, we were connecting a battery charger to the battery in my car, trying to figure out how to read the needle. He suggested something and said, "Wouldn't you think?" All I could say was, "I don't know what to think, ever, about anything." Everything in this world is a confusion to me anymore. I've spent my life trying to understand it and have failed. I know less now than when I started wondering. I've come to the Socrates place of saying the only thing I know is that I know nothing. Jesus affirmed Socrates by quoting him when he said, "Know thyself." In one way of looking at it, what else can we know, but ourselves? Our experience is our own, even shared experience. Self is about the most enigmatic subject there is to study. Self-awareness is the beginning of the spiritual path, the path of know thyself. Shedding false selves periodically, moving forward, moving in on the reality of the soul is how I have to characterize the path. No matter how far along the path one is, the goal continues infinitely far ahead, like Ralph Stanley's Great High Mountain. Therein lies the allure for me, even mystique. It's the road that goes ever on. I'm drawn to moving with my own flow. When I get there, when I ride the rhythm of my flow, contact with the world "out there," like bank, grocery store, gas station, can rattle my flow such that I fall down on the bed returning home and don't move for an hour. I lost touch with my flow, going with traffic, driving in parking lots looking all the way around for somebody backing up or no telling what, anything, paranoia about highway patrol--quotas have gone up appreciably in the last couple years. I see scatter-brained behavior everywhere, people with more to do than they can handle trying to keep up, multi-tasking, tweeting, stopping whatever they're doing to answer the cell phone. Conversation in America amounts to interrupting anecdotes with anecdotes. Interruption is the nature of conversation now. Cell phones interrupt with urgency. I've become so weary of interruption as expected conversational etiquette, I'd rather not talk. Now, when interrupted, I let go of everything that went before, intentionally forget it, knowing we're not coming back to it, let it go from mind because it is over. Superficially is the only way I can talk comfortably with anybody in this time. It's an unspoken code in America that when you see two people talking, you are duty bound to interrupt them. It's inescapable.  
 
 
I can't defeat a social trend so pervasive it has become the nature of the American character. And I cannot say this shortening of collective attention span down to nothing is necessarily a bad thing, because I don't know. I don't want to live in another country, so I adjust to the social context of the moment. Americans have become collectively addicted to distraction. The attention span that thirty years ago was about that of a cat is now nonexistent. There is little to no attention span left. Television has been sacred from the beginning. By now it is the holy of holies. I have not paid attention to television since 1961, but for brief spells for a car race and at other people's houses. I call it MBC, Mammon's Broadcasting Corporations. Mammon is a false god, and not a benevolent one, the ultimate trickster. The continuous broadside of sound demanding attention and flashing visuals equally demanding attention makes me crazy after a few hours. Beyond a few hours my head goes numb and I fall into a grumpy mood. I want to be home and hear the birds. A nation of people obsessed with money, where money is the only value, has its foundation in the shifting, whispering sand. Andy Warhol suggested attaching the amount of money somebody paid for one of his paintings to the wall instead of buying the painting. Anyone who sees the painting sees how much it cost. Ah, you have a Warhol!, more impressed by its dollar value than the image. The only thing the painting means on the wall is I-can-afford-it. This has a great deal to do with why I feel it refreshing when I see art on somebody's wall that is an image put there in appreciation, whatever it is. I have friends with a stunning waterfall painting on the wall, a print that came with the frame for maybe ten dollars. It has a waterfall in it that is painted in such a way it pulls the eye closer and closer. The closer you look, the more the waterfall looks like water. It's a gorgeous waterfall painting that looks almost like it's in motion. The image is loved in the home for its subjective aesthetic value instead of its dollar value. They appreciate that they got so much for so little.


Earlier, when I realized the car's battery was dead from trying to start it, I opened the door, turned in the seat with feet on the ground, looking at the bank of wildflowers across the road, thinking: dying really is a solution. One more reason to rejoice when I see it coming. I recall my fear of death falling away some years ago. I've had to watch it ever since, it's so easy to relax into accidents by any of two hundred thousand ways. Before, I had an automatic pilot that took care of self-preservation. Now I have to pay attention to self-preservation and remind self not to be frivolous with this life. It is important to be in the body until this journey is completed and the time is right to move on to what's next. I do it consciously by understanding this lifetime needs to come to its own balance before going on. I don't know when that time is. It's important not to know. It has to be important; nobody knows their time but on death row. I catch myself drifting into thinking not much matters because I don't have a lot of time left. Another mind tells me it matters right up to the last second. I even look for ways to perk myself up, give self incentive, legitimate reason, not fake reason. I think I can distinguish the fake reason as ego, thoughts about legacy. Twice I have been asked by peers what I will leave for my legacy. I answer, Nothing, not even a tombstone. But you have to leave some kind of legacy. Why? The only thing important to me in this lifetime has been my own spiritual path. I take the path for a human path, not a tightrope with hellfire for a net, but a path through a loving universe where the only problem is the human mind, the driver's seat of illusion.


I've characterized the spiritual path in my own vision something like water from a mountain spring flowing on its way to the ocean. I'd call the spring the time of self-awareness, committing to the path. It makes a fast-moving stream that rushes down waterfalls, splashes over rocks, races through rapids, churning, dramatic. The self predominant before, changing fast. Changes happen first on the inside and manifest on the outside in sometimes chaotic, seemingly out of control ways occurring so fast, simultaneously and in succession, it makes the head spin and question one's own authenticity. As a result of understandings and insights, we change first on the inside. Some of the ways of thinking that went before are not practical any longer. They don't work, don't satisfy. People we know and are close to drift away, one at a time, and we wonder what is going wrong. I thought I was becoming a better person and my friends are abandoning me. It's a lonesome period of time until waking one morning and realizing you're in a world of new friends, friends more compatible with the new self than the ones that fell away. The waterfall changes to fast moving creek into fast moving river, and slows its pace at lower elevations, widens with smooth surface, flows into the delta, twists back and forth like a serpent sunning on a rock, turning in on itself, taking its time in slow motion. Closer to the sea it stops and backs up at high tide and flows again with the lowering tide. I feel like I've been through the waterfalls, rapids period and the fast-moving river period that lasted at least 20 years. My path has characterized the second half of this lifetime. I feel like I've gone through the slow-moving river and now am flowing in the delta, slowly, slowly, twisting this way and that, direction changing continually. Meandering is the word. I feel like I've been meandering within over the last few years. I feel honored in this lifetime to have the chance to complete this cycle in the Way from a mountain spring to the sea. I don't believe this is the path of my enlightenment in one lifetime. I see it a  cycle through this lifetime in self-awareness, saying in signs I've done well not to get side-tracked, passing through opportunities for distraction, indulging some and letting them go, returning to the flow, allowing the flow, trusting the flow that just keeps rolling along.       

caterpillar
photos by tj worthington
 
 
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Friday, April 25, 2014

FOLLOW THE FLOW

 
 
 
all pics by tj worthington
 
Focus this week is on my relationship with nature, the natural world, the uncultivated world, the wild things, the four-leggeds, the winged, the ground, the green things, earth. This world, my mountain, is my refuge, my home, my need. I know this region of the mountains so well it gets taken for granted, but not too much. I went out on a small lake in a boat fishing with Justin. It was his day off and he had to get some fishing in. Fishing recharges his internal battery. He catches a fish, kisses it and throws it back. He stopped by to pick me up and I rode with him to the next farm down the road, turn up a long gravel driveway to the lake. It's called the Willis lake. The owners live in Winston-Salem, my neighbors Allan and Gary have a stain glass studio where they support themselves selling their wares. Allan takes care of the land, a few hundred acres of largely meadow. It was the old Jim Scott place. Their boy, Sherman, went to school and revival meetings in this house. Sherman has been dead quite a while now. He was a humble man. In NC he did not need a driver's license to drive a tractor on the roads. Sherman fixed a small wooden box to the back of his old Ford red-belly to carry groceries. He drove the tractor to town for the bank, the doctor, the lawyer, the drug store, leading a long line of cars snaking slowly  toward town, temperatures rising, road rage in abundance, but nobody made a problem. Sherman's going to town day. It was excruciatingly maddening to fall in behind Sherman. Couldn't pass. There you are, 10-15 mph and can't do nothin about it. Sherman was a little bit slow and had a good mind too. The people I've known who went to school with him said he was a whiz with numbers. His mother and dad wouldn't let him play with the other boys, retarding him somewhat. The lake was put on the farm after Jim Scott sold it.
 
 
 
 
The temperature was mild enough, but the air had a chill in it and a constant wind. Three guys from town we knew were on different banks fishing. Three geese swam together out in middle of the lake. Putting the boat in the water did not scare them off. They continued to swim and watched the boat as a curiosity. The wind on the water was cold. Justin threw the lure toward the bank letting it splash into the water like it jumped from the bank, then wiggles to the bottom and swims. He did not catch one fish. He said the water was too cold. I don't care anything about fishing. I go along with camera. First time I had camera in the boat, I went for landscape pictures, none of which was ever worth looking at. This time I sat and waited for It, whatever It may be. Sitting quietly in the boat, gazing all around, even the sky, nothing took hold of me. Suddenly, I saw the surface of the water like I'd never seen it before. It was familiar. Everything about it was familiar, but I was seeing it the first time. I found a zone five to ten feet from the boat where the water made changing patterns with light so fast the eye sees colors in motion. The camera stops the motion. I zoomed the camera down pretty close and pointed at the zone where the patterns were flowing and clicked. Could not see the viewing screen for the bright sky all around, so I'd point the camera at the zone I wanted and clicked. Most often had no idea what I was getting. Some were out of focus, some so blurry it was nothing, and some with sharp clarity. I made pictures of the lake's surface from distance and up close. Sunlight was dancing on the water in sparkles in certain places. The only one I aimed was the goose. Couldn't aim it but by landscape around it and zoom in from there.  
 
 
  
 
Tapped into the zone close to the boat is a very different experience from gaping at the surface of the water. Out a little ways it turns into waves on water. In this zone five to ten feet from the boat I found continually changing abstract patterns that move so fast the eye cannot see the patterns the camera stopped. Following the patterns in swift change, I'd think of how fun it would be to stand in front of a painting by Clifford Still and watch the colors change patterns so fast the eye couldn't follow. Right away, the eye understands there is no keeping up, eye relaxes and I relax. It's like watching a fire, the changing shapes and images, a quickened flow of the clouds. My Swiss cheese memory is recalling that I believe it was Pablo Neruda said the bridge between matter and spirit is water. I can't affirm or deny it, but it's awfully poetic. I think about such ideas gaping at the water in a minor trance, a meditation, fixed on the rapidly changing flow of light reflecting on water. Every living thing grows by principles of water flow, water being the earth's blood. I stand in Spring Lizard Creek that runs beside my house and someone stands in a creek in southern China, we are standing in the same water. Maybe not the same molecules, but water everywhere on earth is connected. Our blood that runs through a vein in a finger is the same blood that keeps feet warm. Justin sat at one end of the boat and I at the other, almost never talking. Not keeping quiet for any reason but we just didn't feel like talking. He was working the fishing reel with what he had on his mind and I holding the camera taking pictures of reflections on the water with what I had on my mind. We don't talk a lot. Something I learned from country people and Justin learned from mother's milk, that presence is the same as conversation. Conversation is about enjoying the presence of the other. Talking does not always have to accompany presence.
 




 
My old friends, Tom Pruitt and Millard Pruitt, brothers, grew up in what ended as Tom's house, visible from the boat. They went to school and Regular Baptist revival meetings in my house. Both have been dead about twenty years. I went to Millard's church for fourteen years. He lived in another part of the county called Glade Valley. Tom and Millard were less than ten miles from each other and had not seen each other in a number of years neither one of them knew. I suggested I take Tom in his later years to visit Millard. He liked the idea. They sat in their chairs and never spoke for an hour. Tom stood up and said it was time to go. A year or so later, I took Millard to visit Tom. They sat in silence for an hour and Millard was ready to go. Both in their late 70s. Snow was on the ground, quite a lot of it, though the paved roads were clear and the gravel roads had the snow scraped off them, snow scraped off the ice on the bottom. Both roads up the mountain were terrible with ice. My 78 Toyota pickup had one-wheel drive in the rear. Not proficient on ice. But I knew what it could and could not do. I suggested I take him down the mountain on the old wagon road that ran the ridge parallel Waterfalls creek beside all three waterfalls. Couldn't see them from the road, but can hear them. I went down the bank once looking for how to get to the third waterfall from there. I tied a 50 foot rope to a tree and used it like a stair rail walking down it backwards, leaving rope in place for the return. It was steep and sheer rock under layers of old leaves. I knew the back road would be in good shape. It doesn't melt during the day and freeze at night. I knew it would still have the snow pack on it. I know the road from driving it a thousand times and walking it a hundred times. It's bad. But I've driven a new Cadillac and a new Honda down it, owner sitting beside me chewing a hole in the seat, and we never scraped bottom once. In snow the road looked like a luge track. Millard's eyes were big as Ping-Pong balls, and we never lost traction. At the top he didn't believe I could do it. At the bottom he didn't believe I did it. It was a smooth ride compared to the others. All it took was following its flow.
 
 

 
larry
 
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Saturday, April 19, 2014

THE PATRIARCHY IS OVER

 
the red squirrel outside my window

Lying in bed this morning after waking, I felt like I had a penetrating insight into the nature of God, and by now it's gone. I did not write it down and it went away. I've seen a news report recently saying brain science is discovering the brain is a microcosm of the universe. It sounds outrageous, but how could it be otherwise? A galaxy is a moving spiral. Planets go around one of the galaxy's stars, all of them spinning like cosmic tops. Though we're unconscious of the spiral motion going on all the time, we see it in cigarette smoke rising from an ashtray. It is in water swirling down the drain. North of the equator it turns to the right. South of the equator it turns to the left. Water flows in spirals in rivers, creeks, pipes, wherever it flows. An old tree in the forest dead for a very long time is a vertical column that is a spiral. Our bones have spiral grain. It is water flow that creates our bodies, meaning to me that we are the same as water running in a river, composed of spirals to the tips of our hair. Since everything in the universe is in motion, this tells me the universe is in motion too. A spiral motion the way galaxies flow in spirals, like planets twirl through space in spirals around a moving star, itself in a spiral. I suspect this explains, too, why spirals figure so much in ancient art. We live in spirals and we are spirals, though at our mentally developed level it is too subtle for us to notice. There was a time I was reading in a self-help art book, finding myself totally uninterested. One thing I found in the early part of the book, the only part I read, an exercise to make a spontaneous drawing every day for a period of time. I used colored markers. All I ever drew were spirals. I said, Why only spirals? Because spirals happened. I tried to go against it and drew some rectangles and squares by intent. Next day a spiral. I told myself to draw a profile of a face. I drew a spiral. I stopped doing it after more than a month because I only drew spirals. I wondered if it was telling me I was passing into a new stage in inner growth, like grow into this. I tried to find psychological or spiritual meaning in making spirals every day, not interested in drawing anything else. I found none. Learned not to question so much.



In the last several days or few weeks I've been focusing on the silliness of drawing conclusions. Everything is in motion and every non-thing is in motion. A momentum carries us through time and keeps everything in the flow. Sometimes it seems futile to me to paint still images. A stopped moment, like a photograph, a thousandth of a second in ongoing time. Continuous motion is the nature of life. How does a still image deal with that? Or even how does a moving picture do it? Dance and music perhaps honor the continuous motion that is time. It's by earth's motion in the solar system that we measure time. Time is a measuring tape we use attempting with a finger to outline a square on the surface of a river. That's about how well our minds are able to "grasp" reality, the reality that is in motion, that, like water, when the flow is stopped it makes a powerful lake that will break  violently through the force holding it back. Like in Poe's Fall of the House of Usher, building a wall to suppress the feminine, the feminine goes insane, breaks down the wall and the whole house. This continent and the South American continent had a lot of people living on them for 13,000 years. White man came with white man's insane belief system of superiority over all living beings and in a few hundred years has destroyed both continents. The Amazon rain forest will be desert probably before the end of this century, as most likely the western half of USA will be desert, too, if not the whole continent. This was done in attempts to stop the perpetual motion of life itself. The "primitive" (meaning first, not stupid) people who lived tribally lived in continual presence of the spirit of life, honored its laws, observed its subtle energies. White man comes along like a legion of army ants and destroys everything, even unto self. It has been the nature of civilization all along to deny the feminine, Grandmother Earth.
 
 
 
We've just completed 6,000 years of patriarchy, before which was 6,000 years of matriarchy. My feeling sees the Adam and Eve story a mythological (I don't mean false) story of the transition from matriarchy to patriarchy. As we humans have done all along when a new belief system takes hold, genocide breaks loose against the people living in the old way. I'd guess about everything from the matriarchy was destroyed with the genocide. Goddess figurines have been found in Turkey among Neolithic ruins. The Old Testament genocides were over the change from the Age of Taurus, Baal the Bull, to the Age of Aries, the sacrifice of sheep. Next, Pisces the fish, the symbol of the Christ. The Christians did their very best to eliminate the Hebrews of the Age of Aries. We are moving now into the Age of Aquarius. Our belief systems are changing fast going into this new Age. How did the song go? Peace, love and understanding. It's about time. Aquarius is taking us into the time of masculine and feminine in balance. This is what women's liberation is about, bringing us collectively into balance. In my personal assessment, women will be actively engaged in everything. The wrinkles are not yet ironed out. We have a large number of women artists at least the equal of the men. Helen Frankenthaler, Joan Mitchell, Agnes Martin in visual art. Adrienne Rich, Louise Gluck, Denise Levertov, all three with recently released collected poems. And they're not the only ones. It was a gradual change from the time of George Eliot writing under a man's name to Jane Austin to Gertrude Stein to Marianne Moore and Elizabeth Bishop, to now when there are as many successful women writers as men. This is the balance of Aquarius. Like white men are freaking all over the country around an enword president, hate boiling to the surface again. Boys are taught from birth to dismiss women. It is male culture from the core outward to dismiss women. Patriarchy. It has only been a little over a century that women have been allowed educations and careers. In times when men were largely educated, at least to some degree, the women were not educated at all. It follows that educated men as well as uneducated men would feel superior to women, add to it white man's need to be superior to all else and justification by the great patriarchal text, the Bible, women didn't stand a chance in white man world. It's the same in Asian, African, Middle Eastern.
 
 
 
The whole world is going through at least a century-long upheaval brought on by new cosmologies, belief systems, the old ones disproven, disregarded, done. Elizabeth Warren has the best mind of anyone in our government. I don't want her for president. Republicans would nail her to the cross. They have only contempt for intelligence and they hate it in a woman even worse than they hate it in an enword. USA is the cutting edge of the ship of civilization in this time of putting aside discriminations based in collective judgment for a very long time. The wars over the last century have been burning off the hate generated by traditions all over the earth breaking down and changing, traditional cultures everywhere fading away as the old people die out. Hate radio and tv in America is bringing the hate among us to the surface, alas, very dangerously. But hate is by nature dangerous. I heard Laurens van der Post say in an interview, "Evil is always in a hurry." It resonated when I heard it. Over the last few years I feel like I have found my flow and am happily flowing with it. Somebody comes along in a hurry and it rattles me. I get in a hurry and it feels like I jumped my track. I'd come to distrust hurry in others and self by the time I heard van der Post's interview. I felt like he was someone who had found his own flow. The prophecies say that after this time of war we're in, a thousand years of peace is next, after which comes another period of burning off hate, then hate will be gone from the earth and it will be peace ever after. This is why I call myself an apocaloptimist, meaning I see everything going to shit, then by surprise everything turns out all right. Makes a good story. A thousand years ahead we'll look back at this time as something like the medieval period seems to us now. And the history of this time won't be anywhere near accurate. The issue I had with history all the way through school was it gave no importance to the everyday lives of people living in the time who were not very well off. Possibly, this is the role of art as history, to cover the life spirit history bypasses.
 
 
 
 
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